On TVRDO I wrote about their previous album The Uncrowned King, Act 1 “This album sounds like a tribute to the heyday of ‘progressive melodic rock bands’, the socalled AOR”, and “Evership
its music is beyond original but it sounds very pleasant, especially if you like Seventies and Eighties Kansas, Styx and Journey.”
During my first listening
session of this new Evership album I notice that the band has made a huge progress, the music sounds more elaborate and less derivative than on The Uncrowned King, Act 1. The way they combine an accessible rock sound with strong vocal lines and inventive arrangements
reminds me of Seventies Queen, but also early Saga. The 9 compositions (between 3 and 9 minutes) deliver a lot of variety, dynamics, tension and exciting musical ideas, it strongly appeals to the idea of a rock opera, embellished with tasteful work on guitar
and keyboards, and topped with excellent vocals. My highlights.
First delicate classical guitar, then slow Minimoog runs join, blended with ‘spacey’ vocals in the
spooky The Voice Of The Night.
A catchy beat with rock guitar, tight drums beats and powerful vocals, next the mighty Hammond organ and spectacular Minimoog synthesizer flights
in the propulsive Missive Pursuits.
The Law Of Agesstarts with tender piano, dreamy vocals and melancholical violin, then a sumptuous outburst with howling electric guitar runs,
in a very intense atmosphere, and finally tender piano and vocals, violin and warm acoustic guitar, wow!
The Voice Of The New Day is a good example of the band its varied writing
skills. First a cheerful climate with rock guitar, brassy synthesizer and powerful vocals (Michael Sadler from Saga), then the music alternates between mellow and bombastic, with a fine folky touch.
Uncrowned emphasizes the idea of a rock opera featuring a slow rhythm and bombastic climate with strong vocals, Hammond, propulsive rock guitar riffs and heavy guitar solo. Halfway tender piano, followed by flashy fat synthesizer solo and
powerful drum beats, turning into an exciting sumptuous grand finale, wow.
The final track Pilgrim's Repriseis a strong goodbye. It opens with tender piano and soaring keyboards,
then a slow rhythm and bombastic climate, with sensitive electric guitar, strong vocals and a propulsive rhythm-section. Finally a mellow atmosphere with fading synthesizer runs and chorus, simply beautiful.
My absolute highlight on this is album is the long and compelling ballad Nobody. First a dreamy intro with soaring keyboards, then romantic vocals and acoustic rhythm guitar, embellished mellow keyboards. Halfway the music turns
into a slow rhythm, gradually the sound becomes more lush and powerful with intense vocals, a moving electric guitar solo and fat synthesizer flights. The final part contains first a mellow climate with tender piano, soaring keyboards, and dreamy vocals and
electric guitar, then the mood shifts to more lush with powerful vocals, topped with subtle slide guitar, goose bumps!
If you are up to an exciting blend of Heavy Prog, AOR and
Art-rock this is an album to discover!
Evership – The Uncrowned King, Act 1
Review Erik Neuteboom
Website info. “The Uncrowned King Act 1 a two-part rock opera based on a story by early-1900s writer Harold Bell Wright. The album was recorded directly to a Studer two-inch tape machine through an early
70’s Harrison console. Harrison consoles are manufactured in Nashville, USA. In fact, Shane worked on building some Harrison consoles in his early music career when not on the road. This particular model was the same used to record Kansas’ Leftoverture
in Louisianna. The actual console we’re recording through was used by Styx for their first album, as well as many of Johnny Cash’s records and a slew of other 70’s and 80’s pop and country artists. Ah, the sweet sound of analog is always
Well, talking about analog, this album sounds like a tribute to the heyday of ‘progressive melosic rock bands’, the socalled AOR,
in the Seventies and Eighties. Like Kansas featuring vintage keyboards (Hammond, Minimoog and Mellotron) and acoustic guitars in the dynamic The Pilgrimage. Like Styx with the distinctive cheerful Minimoog flights and fiery guitar in The Tower. And like Journey
with Steve Perry inspired vocals and a typical AOR ballad atmosphere in the epic Yettocome – Itmightbe. The music is very melodic and harmonic with flowing shifting moods, topped with pleasant work on keyboards and guitar, strong vocals and a dynamic
But Evership has more to offer. The short tracks The Voice Of The Waves and The Voice Of The Evening Wind contain ambient electronic musical
landscapes, pretty atmospheric with spacey keyboards. And the final song Wait is a fine ballad featuring a catchy riff on piano, mellow vocals and halfway moving guitar work.
The most alternating and elaborate composition is Crownshine - Allthetime (close to 11 minutes). It starts in a bombastic climate with fat Minimoog runs and propulsive rock guitar riffs. Then lots of changing atmospheres, between mellow and
sumptuous, embellished with Minimoog flights, phaser guitar, fiery guitar leads, Mellotron choir, The Charles Heimermann choir, and powerful vocals.
its music is beyond original but it sounds very pleasant, especially if you like Seventies and Eighties Kansas, Styx and Journey.
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Dank je Paul, fraai compliment!
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Wat een bijzonder mooi geschreven en inhoudelijk zo herkenbare recensie!! Thnx 🙏