Oscillazioni Alchemico Kreative - Lucid Dreaming And The Spectre Of Nikola Tesla

Posted: 230722

Review Erik Neuteboom

The Italian band O.A.K. (Oscillazioni Alchemico Kreative) is a musical project by multi-instrumentalist Jerry Cutillo, born and raised in Rome where he witnessed many Classic Prog in the early Seventies, from Genesis and King Crimson to Gentle Giant, Yes and Frank Zappa. Meanwhile he had also become a Jethro Tull fan, blown away by acoustic pearls like Wond'ring Again and Witch's Promise. After a serie of bands he created the one man band Moses and reached the European charts with the dance friendly song We Just. But in 1993 he went back to his roots and founded O.A.K, to make progressive rock, and he played Jethro Tull tribute shows, even with his hero Ian Anderson. Not until 2015 the band O.A.K. released its first album entitled Viandanze, in 2018 the successor Giordano Bruno and in 2020 Nine Witches Under A Walnut Tree. After this trilogy the new album Lucid Dreaming And The Spectre Of Nikola Tesla is a tribute to the famous inventor, released on the day of birth of Nikola Tesla, July 10th, 2020 (Tesla was born in 1856).

Well, to be honest, I needed a few listening sessions to get into the music on this new O.A.K. album. Because it sounds different from the previous three O.A.K. albums, less traditional prog, more like a rock opera. And looking from that musical point of view I started to appreciate, and understand the music. The six songs are varied and elaborate, tastefully embellished with a wide range of instruments, but the emphasis is on the vocals.

Everything Is Light (6:58) starts with a spacey intro, then the music frequently shifts between mellow and bombastic, this creates a lot of tension and dynamics. The one moment dreamy duo vocals with soaring keyboards, the other moment sumptuous eruptions with sparkling flute, screamy saxophone (by VDGG legend David Jackson) or fat synthesizer flights. In the final part powerful saxophone, then a hypnotizing conclusion with piano and electric guitar, what a variety and strong musical ideas!

The epic composition Oscillation Alkemy Kreativity (13:29) delivers lots of shifting moods, ofen surprising, like experimental – and electronic parts, a catchy beat with freaky synthesizer sounds, cheerful Minimoog runs, Hammond organ extravaganza, and a swinging bass with spoken words. What an overwhelming sound, top notch rock opera with strong vocals, from powerful to distorted. Musical brainchild and multi-instrumentalist Jerry Cutillo does a great job, I am blown away by his skills on the keyboards.

Learn to Run in Your Dreams (6:06) is a wonderful ballad featuring tender piano runs, soaring strings and sensitive electric guitar runs (like Steve Hackett). The focal point is on the excellent vocals, with a wide range, culminating in a bombastic final part, impressive.

The mid-long song The Comet and the Dreamer (7:09) opens with majestic Grand piano runs, soaring keyboards and high piched opera-like female vocals. Then a slow rhythm with awesome Kate Bush-like female vocals, and piano. Now male vocals joins, turning into pleasant duo-vocals, with mellow play on flute. Finally harder-edged work on electric guitar, blended with sparkling piano and orchestral keyboards, in the end a wonderful conclusion, topped with that awesome Kate Bush-like female voice.

In White Wings (4:40) first dreamy vocals and tender electric piano, then a slow rhythm with bombastic orchestral keyboards, powerful vocals, propulsive drums beats and moving electric guitar. In the second part sparkling flute, and a catchy keyboard sound, then freaky work on the flute with wah wah pedal, in the end bombastic with the distinctive flute traverse, another strong track with lots of variety and dynamics.

Finally the short The Silver Cord (3:50) that contains tender piano runs, distorted vocals, high pitched, theatrical female vocals (reminding me of Great Gig In The Sky by Pink Floyd), in the second part turning into bombastic with majestic sounding orchestral keyboards and piano, a strong and sumptuous conclusion that matches with the idea of a rock opera on this album.

If you are up to a varied musical journey this new O.A.K. effort is worth to discover, I am pleasantly surprised.

Oscillazioni Alchemico Kreative - Nine Witches Under A Walnut Tree

The Italian band O.A.K. (Oscillazioni Alchemico Kreative) is a musical project by multi-instrumentalist Jerry Cutillo, born and raised in Rome where he witnessed many Classic Prog in the early Sventies, from Genesis and King Crimson to Gentle Giant, Yes and Frank Zappa. At the age of 15 he joined his first band, then in the late Seventies he decided to cut his hair and colour it red in order to move to London and experience the era of the punk. Meanwhile he had also become a Jethro Tull fan, blown away by acoustic pearls like Wond'ring Again and Witch's Promise. After a serie of bands he created the one man band Moses and reached the European charts with the dance friendly song We Just, I remember the video clip on tv, and it even got a silver status! But in 1993 he went back to his roots and founded O.A.K, to make progressive rock, and he played Jethro Tull tribute shows,even with his hero Ian Anderson.

Not until 2015 O.A.K. released its first album entitled Viandanze and in 2018 the successor Giordano Bruno, a concept album. "After seven years of trial Pope Clement VIII declared Bruno a heretic and the Inquisition issued a sentence of death in 1600. He was hung upside down naked before he was finally burned at the stake. A very cruel and sad end for a man who nowadays is considered as a 'courageous free thinker' and a 'martyr for science'. Because his daring and innovative ideas and work had much influence on later scientists and philosophers." After this highly acclaimed second album Jerry Cutillo decided to present another concept album entitled Nine Witches Under A Walnut Tree (to be released on September 9th, 2020). "The legend tells that flying through the gorges of the Monti del Taburno, near the city of Benevento, the witches reached a walnut tree where they celebrated rituals. On 14th November 1572, whilst the earth shone with the light of the Tycho supernova, nine stories merged into one sublimating a bond of deep empathy tightened under the branches of that bewitched tree."

After a few listening sessions I conclude that O.A.K. delivers interesting and varied music, to me it sounds like an eclectic approach, blending 24-carat symphonic rock, folk, experimental and rock, with lots of own musical ideas, a genuine musical journey, with a lush instrumentation.

1. Chlodswinda (6:12) : This first composition is a captivating and compelling blend of folk and prog (reminding me of Ayreon and Led Zeppelin) featuring cheerful mandolins, delicate synthesizers, layers of sultry Mellotron violins, warm Italian vocals (to me evoking Angelo Branduardi), and in the end a pleasant flute sound, trademark Jerry Cutillo. An impressive start!

2. Gioconna (3:49) : This short instrumental is built around a catchy beat, embellished with tasteful work on flute traverse, synthesizers and again those majestic Mellotron violins. Halfway a break with an ominous atmosphere, including voices.

3. Dame Harvillers (5:10) : What a strong build-up, from dreamy with Grand piano and French vocals to sumptuous with awesome organ and synthesizer work, this part sounds like an exciting tribute to mid-Genesis at its symphonic peak!

4. Janet Boyman (3:32) : In this beautiful short piece we can enjoy a surprising duet between the tin whistle and the Mellotron choir section, a very nice musical idea.

5. Franchetta Borelli (6:25) : First an ominous climate with howling electric guitar, then mellow with whispering vocals, culminating in a bombastic outburst featuring emotional vocals with a strong, pretty desperate undertone. Tension builds with again howling electric guitar, then suddenly a shifting mood with swinging electric piano and a tight drum beat, another fine musical idea. Finally the return of the howling electric guitar and whispering vocals.

6. Polissena (4:41) : Now O.A.K. is going more experimental featuring lots of changing atmospheres (from mellow to bombastic) and a varied blend of instruments: a fiery claghorn (woodwind instrument) blended with percussion, orchestral keyboards, and in the end flute traverse and powerfull bass runs. This track has echoes from the distinctive King Crimson 'organized chaos theory', fascinating and creative.

7. Donna Prudentia (5:27) : A slow rhythm gradually turns into a more lush and dynamic sound with again a variety of instruments, from Mellotron choirs and tubular bells to spacey synthesizer flights and powerful saxophone play (from VDGG guest musician David Jackson). The music is topped by warm Italian vocals, again reminding me of Angelo Branduardi, very pleasant.

8. Nadira (5:30) : The first part sounds atmospheric with a variety of sounds, and whispering vocals. Halfway a break featuring a catchy bass, blended with delicate vibraphone, varied keyboards, cheerful flute and voices, this part showcases the more experimental side of O.A.K.

9. Rebecca Lemp (6:02) : This final composition matches with Jerry his eclectic muscial attitude, it's far from the usual prog rock conclusions, more close to the final of a rock opera. It starts with a slow and hypnotizing rhythm, and contains slightly distorted German vocals by Jerry Cutillo (in the tradition of David Bowie and Peter Gabriel), in between German spoken words by the long term O.A.K. fan Gerlinde Roth. 'Warum nur soll ich eine Hexe sein? Lasst mich frei, lasst mich frei! Was in aller Welt haben wir getan? Wann h'rt's auf mit diesem Wahn? Warum nur sollen wir Hexen sein? Lasst uns frei, lasst uns frei.' To me this sounds as a metaphor for the dark side of the human being, horrible. In the second part a build-up to a more bombastic conclusion with female vocals singing 'lalala'.

After his highly acclaimed second album Giordano Bruno (just read al those positive reviews on the international progrock websites) O.A.K. has delivered a captivating successor, with strong own musical ideas, and lots of variety, in musical climates and instrumentation, this is an album to discover!

© 2020 Erik Neuteboom

Oscillazioni Alchemico Kreative - Giordano Bruno

This gem comes from Italy and the driving force behind this project is Jerry Cutillo. The album is, what we can expect from Prog artists, a concept album. Jerry takes on the story of Giordano Bruno, a 16th Century Dominican friar, philosopher, mathematician, poet, cosmological theorist and Hermetic occultist. He had strong views on the Catholic faith and towards Jesus as Christ. For all this (and more) he was imprisoned, trailed and executed under the Roman Inquisition on 17 February 1600 at the Campo de'Fiori, Rome. So that's in brief the story behind it, now back to the album:

Mr. Cutillo is a very talented guy and has delivered a very original album. He personally signs for Guitar, percussion, keyboards, tubular bells, time generator, flutes and all orchestral arrangement. He invited also some guest to come along by the likes of David Jackson (Van der Graaf Generator), Richard Sinclair (Caravan/Hatfield and the North/Camel), Sonja Kristina (Curved Air) and the late Maartin Allcock (Jethro Tull).

The album is a pleasure to listen to. At times bombastic, then sweet, I can hear Focus in there, but when mr. Cutilo plays his keyboards, his rapid moves reminds me of the late Rick van der Linden of Dutch band Ekseption. This is a very very enjoyable album, again this is a concept album so let mr Cutillo take you on a trip to the 16th Century and let his music gently kiss your ears

Artifact: Jerry Cutillo had a big (disco) hit in 1985 under the name Moses with: We Just (Our Revolution)

Review: Frans Verweij © 2019

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